红印为证,乌金拓里的文化印记
乌金拓是精拓法之一。拓好乌金拓关键取决于用纸、用墨和高超的拓技。拓纸要用洁白平整、薄厚均匀、纤维长的宣纸。墨用乌光浓黑的油烟墨。用浓墨拓并不能说就是乌金拓,乌金拓的墨色讲究的是黑亮晶莹,光可鉴人。字口清晰白如冰霜,看上去好似黑夜里的点点繁星。用墨讲究的是浓而不凝,润泽匀称,不皴不裂。拓完的拓片是拓纸背后整洁不透墨。
Wujintuo is one of the refined expansion methods. The key to successfully expanding Wujin depends on the use of paper, ink, and advanced expansion techniques. To expand the paper, use rice paper that is white, smooth, evenly thin, and has long fibers. Ink is made with dark and glossy oil fume ink. The use of thick ink cannot be said to be Wu Jin Tuo. The ink color of Wu Jin Tuo emphasizes black, bright, and crystal clear, and the light can be judged. The words are clear and white like frost, looking like scattered stars in the dark night. The key to using ink is to be thick but not solidified, moisturized and evenly distributed, without cracking or cracking. The completed rubbings are neat and ink tight on the back of the paper.
满觉陇CR50会客厅藏的全形拓,钤印有多方,印即“文化身份证”,让文物信息得以保存。
The full form expansion of the CR50 reception room in Manjuelong is stamped with multiple seals, which serve as "cultural identity cards" to preserve cultural relics information.
印记:回头马、 印记:宠辱不惊,看庭前花开花落;去留无意,望天上云卷云舒
印记:君子不器、 印记:不如眼前一醉是非忧乐都两忘
印记:虚名复何益、 印记:心底清净方为道、
印记:君醉听广陵曲,梦入大散关
这张汉代拓片将古人的审美、信仰、追求与权利的表达,呈现出来。与其说,传拓的过程,是对文物物理形态的复制,不如说是对文化内涵的领悟与传递。“文物加传拓技艺”的结合,让文化传承有了更生动的载体
These rubbings reveal the ancient people's aesthetic views, beliefs, pursuits and expressions of power. Rather than saying that the process of transfer is merely a replication of the physical form of the relics, it is more accurate to say that it is an understanding and transmission of the cultural connotations. The combination of "antiquities" and "rubbing techniques" has also provided a more vivid carrier for cultural inheritance.
2025施特劳斯慈善艺术节文化推广人 张忠国 国际文化传播志愿者 满觉陇CR50杭州会客厅负责人 国际艺术网 运营总监